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Books recommended by friends of
The Amis Web:
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Hunter Hayes, Ph.D. candidate in English at the University of Southern
Mississippi and associate editor of Product,
the USM literary journal:
|
| Samuli
Knuuti, "a 28-year-old Finnish freelance
journalist with a bit of a thing for English literature. I studied criticism in Helsinki
University and wrote my graduate thesis on the satirical aspects of Amis's Money":
 | Infinite Jest
("over thousand pages long but definitely worth the effort"); A Supposedly Fun
Thing I'll Never Do Again (" brilliant essays on tennis, David Lynch, luxury
cruises and the effect of television on modern literature"), by David Foster Wallace
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| The Debt to
Pleasure, by John Lancaster ("Nabokov's Pale Fire re-written as a
cook book and a thriller")
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| Restraint of
Beasts, by Magnus Mills ("when you think you have pinned the book down as a
bleakly funny working class novel, the spirit of Kafka crashes the party...")
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| White
Merc With Fins, by James Hawes ("The Rachel Papers for the
Nineties? A bit light, perhaps, but fun and promising")
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| Complicity,
by Iain Banks ("a truly nasty and intelligent thriller from a gifted but very uneven
author"); also recommended by Hunter Hayes
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| Ian Nicholls; ".
. .originally from Manchester (UK), but . . .now studying at Lincoln University in the east of
England":
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| Julienne Clinch
("After living in Los Angeles for most of
my life (UCLA, Hollywood, Beverly Hills, the lot) I
came home to a smallish town in Washington State to live with my
octogenarian mére, three dogs, and an African gray
parrot named 'Baudelaire.' His antics & ravings about sex are as much as
I can handle after at The LA Fair Experience. As I
once told Martin Amis at dinner in Bev Hills, 'Everyone, here, is famous. I
am anonymous and that is rare.' Martin, the extremist writer, remarked,
'what a good story'"):
| Underworld,
MAO II, White Noise,
by Don Delillo |
| Tomcat
in Love, by Tim O'Brien ("a pomo comic novel about a linguistics professor
who postmodernistically fights the war of 'love'; superb, hilarious") |
| The Aleph and Others Stories 1933-1969, by Jorge Luis Borges,
translated by Norman Thomas Giovanni. Not since John Milton have a blind
poet and his stories so changed the reality of the world. |
| Lives
of the Monster Dogs, by Kirsten Bakis |
| Doctor
Fischer of Geneva or The Bomb Party, by Graham Greene |
| Conversing
with John Cage, by Richard Kostelanetz ("A mind that is interested in
changing...is interested precisely in the things that are at extremes. I'm like that.
Unless we go to extremes we won't get anywhere"--John Cage)
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| Andrew
Brown (in his own words, "Andy worked
as laborer and idled as student 'til age 25 when he commenced writing in various fields,
commercial and otherwise, which he has done ever since"). In addition to
"everything by Charles Dickens, Vladimir Nabokov, literary biographer Richard
Ellmann, and Nabokov scholar Brian Boyd," Andy recommends these specific books:
|
| Tim Liebler: I
lift weights and women find me very attractive.
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| Donna S. Lee,
("technically, a writer"), authors programming documentation at Apple Computer,
Inc. and reads Martin Amis to relax in his clarity of observation, freshness of language,
and non-avoidance of pain:
| The God
of Small Things, by Arundhati Roy (Far and away the best novel that I read in
1998, this book is very different from any that Amis has written, yet throughout it was
clear to me that the two authors are gifted with very similar talents, in quality and
quantity.) |
| Crow Road, by
Iain Banks (Yes, Banks is truly uneven, but this one's a real pleasure.) |
| Revenge
of the Lawn, by Richard Brautigan (It's art, what can I say?) |
| The
Phantom Tollbooth, by Norton Juster (A brilliant and funny book that works
equally well for kids and adults.) |
| Understanding
Comics, by Scott McCloud (Not a novel, but so enlightening that I just have to
include it.)
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|
| Chris Sampson
"recently awoke to find himself a burnt-out software whiz-kid, fearfully advancing
into his thirties with no sense of purpose whatsoever. Having no literary training or
talent worth talking about, Mr Sampson lives in heaven. His hobbies include talking to God
and arranging seemingly random lightning strikes on English Premiership football
referees." His recommendations:
| The
Unbearable Lightness of Being, by Milan Kundera |
| Homo
Faber, by Max Frisch |
| All Men
are Mortal, by Simone de Beauvoir (from the amazon.com synopsis: "Probably
de Beauvoir's strangest and most compelling novel, this is the captivating story of a
beautiful young actress who revives a downcast stranger at a French resort. He becomes
thoroughly attached to her and confides a terrifying truth: he is immortal. But having
been resuscitated into enjoying life again, he soon starts breaking free from her grasp
and all notions of mortality"). |
| Diaries,
Alan Clark (Chris: "Alan Clark you may not have heard of. He's a minor Tory
politician, and as such his politics are deeply objectionable. However, the diaries are
superbly written, full of self-pity and ennui, and through them you can see the political
causes of the State of England that MA writes about"). |
| Nil By
Mouth, written and directed by Gary Oldman (this is the video of the film; Chris
actually recommended the screenplay ("because I know how much MA loves them")
but I could only locate the film itself) |
|
| H. K. Smith:
| I'm
Losing You, by Bruce Wagner. "Not for the squeamish, but somehow I think
Amis fans can stand it. A brilliant, scathing portrayal and indictment of Hollywood types.
Wagner's bravura prose style is nearly as virtuosic as Amis', as he proffers this
unblinking portrait of some horrible, irredeemable souls. His corrosive rage at the
corruption and phoniness of these show business humanoids is truly shocking."
|
| Permanent
Midnight, by Jerry Stahl. "Also not for the squeamish, also set in
Hollywood. This is Stahl's real-life account of his nightmare descent into heroin hell and
his accompanying success as a screenwriter of such TV shows as Alf and Thirty-something.
I don't usually go in for 'junk chronicles,' but the relative squalor described here is
redeemed by Stahl's irrrepressible gallows humor."
|
| High
Fidelity, by Nick Hornby. "Some might think this is a light read, but it's
way better than that. Hornby really understands the underpinnings of the crazy struggle
that goes on between men and women these days. He also really understands addiction to pop
culture. A delightful and moving book."
|
| Nobody's
Fool, Straight Man,
by Richard Russo. "If you haven't discovered Russo yet, what the hell are you waiting
for? Very rich, very funny. They made a decent movie of Nobody's Fool with Paul
Newman, but the book is even better. Straight Man is hilarious and poignant at
the same time - it should appeal to a lot of visitors to the Amis Web, because it is a
wicked and tasty satire of academia."
|
| Burning
the Days, by James Salter.
"This is a stunning, beautiful book. It's hard to read it without stopping at nearly
every page, dazzled by the beauty and lyricism of the writing. If you find yourself
envying Salter's adventurous and romantic life, don't worry: it just means you're
human."
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| Sunset
Limited, by James Lee Burke. "Or any of the other Dave Robicheaux books by Burke.
As good as escapist fiction gets. Burke's David Robicheaux is as rich and fully rendered
as any character in all of literature. Great psychological realism, great lyrical
descriptions of Louisiana life and natural beauty. (I live close to the area he describes,
and trust me, he hits it bang dead on...)."
         
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author of
Understanding Martin Amis, 2nd edition (2004).
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Last updated
10 December, 2004.
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