The War Against Cliché
on the Amis Discussion Board:
Topic: |
War Against Cliche--The Foreward (2
of 13), Read 85 times  |
Conf: |
Martin Amis Discussion Web |
From: |
nothingfancy
g.partch@worldnet.att.net |
Date: |
Wednesday, February 21, 2001 07:54 PM |
For the partial fan--the Amisian
without the intellectual/aesthetic resources to read Amis objectively--the
foreword probably sounds like a vindication of his or her entire reading life: A
few grudging stabs at the philistines (academics, more academics) and then the
warm re-assurance that what is good, in literature, is just good. Period
(full-stop).
But look at how crudely Mart stacks the deck, examplewise, in favor of his
argument!
"Thoughts that do often lie too deep for tears" versus "When all
at once I saw a crowd" is no contest whatsoever. Of course the former line
is going to beat the latter, and never on the merits of its awkward meter. The
first example contains a finished observation--almost a whole poem in itself.
While the second is not a complete description of anything, just an unbounded
fragment.
Which is to say, it's never just the meter which determines the greatness of a
line but the rare confluence of meter and thought and accident which make
certain lines perfect.
Take "One small step for man, one giant leap for mankind." Neil
Armstrong had originally planned to say, "One small step for A man...
etc." but , for the sake of rhythm, decided to leave out the defining
article, thus rendering the phrase grander in scope, if somewhat murkier in its
intentions.
My example, perhaps, would seem to bolster rather devastate Amis' argument. The
opposite is true: it is not by accident or whim alone that great lines are
produced; these must work in conjunction with superior thinking, which can be
measured by the amount of interest it attracts.

Topic: |
Seven Types of Ambiguous Bullshit
(3 of 13), Read 87 times  |
Conf: |
Martin Amis Discussion Web |
From: |
Lars Vanderquist
vanderquist@hotmail.com |
Date: |
Wednesday, February 21, 2001 09:40
PM |
Memo to nothingfancy: Neil Armstrong
didn't revise his line. He muffed it. His intention was to say the following
line: "That's one small step for a man, one giant leap for mankind."
But he omitted the indefinite article out of sheer forgetfulness. (Which, come
to think of it, is the only sane reaction when you're walking on the moon.)
Regarding Amis's foreward. I have just one question: What the hell is this guy
talking about? Inquiring minds wanna know.
MARTIN AMIS SAYS: "Literary historians know it as the Age of
Criticism...What ended it? The brutalist answer would consist of a single
four-letter word: OPEC."
LARS VANDERQUIST SAYS: Since when has the cost of living ever impeded the flow
of literary criticism? Literary criticism is right up there with death &
taxes. The Hacks of Academe keep churning it out on a 24-hour basis. It's an
odious testament to Amis's monumental solipsism that he conflates the Age of
Criticism (whatever *that* is) with his own personal Age of Bohemianism.
MARTIN AMIS SAYS: "Literary criticism, now almost entirely confined to the
universities, thus moves against talent by moving against the canon."
LARS VANDERQUIST SAYS: Amis truly belongs in an Oxford ivory tower, where he can
worship The Literary Canon (whatever *that* is) and piss on the rabble below. He
has a misplaced faith in Literary Absolutism. The Literary Canon isn't based on
merit. It's based on popularity.
MARTIN AMIS SAYS: "The results of this contact will form the data of the
review, without any reference to the thing behind. And the thing behind, I am
afraid, is talent, and the canon, and the body of knowledge we call
literature."
LARS VANDERQUIST SAYS: The thing behind has ruined Amis's fiction. Amis has a
show-offy compulsion to take quotes from The Canon and to insert them into his
own fiction. This results in wankerature, not literature. Martin has devoted his
life to trying to impress the schoolteachers with his diarrhea-flow of literary
allusions from The Canon. He thinks it'll help him get his own novels included
in The Canon. I've got news for Martin. It won't.
MARTIN AMIS SAYS: "In the long term, though, literature will resist
levelling and revert to hierarchy. This isn't the decision of some snob of a
belletrist. It is the decision of Judge Time, who constantly separates those who
last from those who don't."
LARS VANDERQUIST SAYS: Spoken like a true literary Darwinist. But he's wrong
again. Literature isn't a neat little hierarchy like they have in the English
departments. Literature is a universe. There's a lot of unpopular uncanonized
stuff that's good. And there's a lot of popular canonized stuff that's crappy.
So don't take any shit from Martin Amis or any other arrogant
literary-absolutist.

Topic: |
Seven Types of Ambiguous Bullshit
(4 of 13), Read 81 times  |
Conf: |
Martin Amis Discussion Web |
From: |
StephenP
|
Date: |
Thursday, February 22, 2001 07:21
AM |
LARS VANDERQUIST SAYS: Spoken like a
true literary Darwinist. But he's wrong again. Literature isn't a neat little
hierarchy like they have in the English departments. Literature is a universe.
There's a lot of unpopular uncanonized stuff that's good. And there's a lot of
popular canonized stuff that's crappy. So don't take any shit from Martin Amis
or any other arrogant literary-absolutist.
For an intelligent man, William, this is a dumb riposte. Amis is saying that,
while the good stuff is at present submerged by a pile of crap, the crap won't
last. He's right, isn't he? I may not like a lot of stuff I read from two
hundred years ago, but I can acknowledge its quality. The crap gets newly
re-written for each successive market.

Topic: |
Seven Types of Ambiguous Bullshit
(5 of 13), Read 84 times  |
Conf: |
Martin Amis Discussion Web |
From: |
lobby
lobby.ludd@mymail.tm |
Date: |
Thursday, February 22, 2001 07:54
AM |
“Enjoying being insulting is a
youthful corruption of power. You lose your taste for it when you realise how
hard people try, how much they mind, and how long they remember (Angus Wilson
and William Burroughs nursed my animadversions - and no doubt the animadversions
of others - to the grave). . . . I am also struck by how hard I sometimes was on
writers who (I erroneously felt) were trying to influence me: Roth, Mailer,
Ballard.”
More feeble Amis tosh.
Enjoying being insulting is just one of the many pleasures each new day offers.
And Amis has allowed his head to grow and grow if he thinks a hip old geezer
like William Burroughs “nursed my animadversions - and no doubt the
animadversions of others - to the grave”.(what an ugly way of putting it –
so typical of the contrived and rarified wordplay of the dwarf.)

Topic: |
Judge Time is an unreliable judge
(6 of 13), Read 51 times  |
Conf: |
Martin Amis Discussion Web |
From: |
Lars Vanderquist
vanderquist@hotmail.com |
Date: |
Saturday, February 24, 2001 11:50
AM |
STEPHENP SAID: "Amis is saying
that, while the good stuff is at present submerged by a pile of crap, the crap
won't last. He's right, isn't he? I may not like a lot of stuff I read from two
hundred years ago, but I can acknowledge its quality."
But he also implied that historical reputation is The Ultimate Opinion. This is
the literary equivalent of papal infallibility. He gives far too much credence
to Established Critical Opinion.
Okay. Here's the thing: All I'm trying to say is that the value of entertainment
is strictly a matter of personal taste. Reputation should have nothing to do
with it. I don't give half a shit about reputation. ROMEO & JULIET and A
MIDSUMMER NIGHT'S DREAM are unreadable because of all of those fucking rhymes.
KING LEAR is based on a ludicrously stupid & corny plot-complication.
(Namely, the ass-kissing contest at the beginning.) HAMLET is insufferable
because the character of Hamlet is insufferable. People can continue to engage
in deep-suck sessions on Shakespeare's shiny white ass till the end of time, but
it's not gonna change my opinion.
Ya know why Martin dislikes DUBLINERS? Because those stories aren't stylized out
the wazoo like Amis's empty exercises are. Ya know why Martin can't help but
have a grudging admiration for ULYSSES? You guessed it. Because it's stylized
out the wazoo like Amis's product. ULYSSES was recently voted the greatest novel
of the 1900s. Needless to say, it's an honor based on pure reputation. Because
nobody bothers to read the piece of shit. So much for the judgemental
reliability of Judge Time.
NED ROREM SAID: "Until an Absolute is established as to what defines 'good
music', I will retain my right to call trash certain works of Beethoven: the
Emperor, the Appassionata, the end of the Ninth."
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